Thanks to the Technicolor camera, Disney could transfer from the desaturated animations of Steamboat Willie (1928) to the bright hues seen on Snow White (1937). Citizen Kane's (1941) shadowy images had to work hard to compete with the flashy images seen on The Wizard of Oz (1939), which was released two years before. Sometimes, black and white will make a recurrence, like in the case of The Artist (2011). However, these films are seen more as artistic experiments, which speaks to the ubiquity of color in film.
Wednesday, April 22, 2015
Technicolor Camera
Thanks to the Technicolor camera, Disney could transfer from the desaturated animations of Steamboat Willie (1928) to the bright hues seen on Snow White (1937). Citizen Kane's (1941) shadowy images had to work hard to compete with the flashy images seen on The Wizard of Oz (1939), which was released two years before. Sometimes, black and white will make a recurrence, like in the case of The Artist (2011). However, these films are seen more as artistic experiments, which speaks to the ubiquity of color in film.
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